Platonic Psychology: Medieval

Showing posts with label Medieval. Show all posts

Friday, February 17, 2012

Appetitive: You Don't Doodle in Gold Leaf

Apologies for my long silence. I've been really powering though the Greek and Latin lately as well as trying to have a few moments to socialize with Catullus II and some fellow classicists.

For today, I thought I'd post a note on medieval manuscripts. Catullus II is really into medieval manuscripts and I want to a wonderful lecture the other week on Apocalypse narratives in medieval manuscripts that I will hopefully get a chance to post about at some point. Anyway, here is a lesson in distinguishing between doodles and marginalia.

Sunday, January 9, 2011

Reasoning/Appetitive: Illuminated Manuscripts and Socratic Logic

Today I saw the "Imagining the Past in France" exhibit at the Getty. I meant to go earlier-- and had, in fact, been to a lecture on the exhibit already[1]-- but due to various complications did not manage to go until today. The exhibit was amazing and I highly recommend it. When I go into illuminated manuscript exhibits, I often play a game with myself to see whether I can identify the era of a work before I check the plate underneath it. I found this exhibit more difficult that most because there was a greater diversity in artistic style within eras than in other collections I have been. I thought it might be because these were primarily secular and historical texts. There is a great slideshow of images on the Getty website.

Imagining the Past in France: History in Manuscript Painting, 1250-1500

The curator did a brief video introduction to the exhibit as well.

Socratic Logic

The book that I decided to read yesterday during the exam I was proctoring is Gregory Vlastos' Socratic Studies. Vlastos' work, Socrates: Ironist and Moral Philosopher, was my first introduction to Plato scholarship. Although I dislike some of his methodology and conclusions, I still have a soft-spot for Vlastos' work. I will review it when I am finished (I am about 1/3 of the way through).

Endnotes

The lecture I went to was "How the French Made History: Manuscripts and Images of the Past in Medieval France." I reviewed the lecture on Fragments of Sulpicia.

Saturday, August 21, 2010

Appetitive/Reasoning: Book Curses

Appetitive and Reasoning? What would Plato say? O Zeu!

Despite any qualms Plato might have had, I thought I should share this. A friend on twitter lead me to this wonderful piece about Medieval book curses. I'm thinking of having some bookplates made with some curses in Latin and Greek. I found this one especially hostile and amusing:

"Should anyone by craft of any device whatever abstract this book from this place may his soul suffer, in retribution for what he has done, and may his name be erased from the book of the living and not recorded among the Blessed."
--attributed to a 16th-century French missal belonging to a man named Robert

To read more, visit this blog on Medieval Copy Protection.

Why Platonic Psychology?

Entry types into this blog are divided into three categories: appetitive, spirited, and reasoning to correspond with the three parts of the Platonic conception of the soul. The appetitive portion will most often be humorous content with a classical bent. However, Plato's understanding of appetitive is much broader than that, encompassing the general pleasures of spectacle-- such as theater, both comedy and tragedy-- as well as emotions and bodily pains and pleasures. Sometimes I will stray into one of the more Platonic uses of appetitive. If I can manage it, I will post a weekly translation of a joke or funny phrase into Latin or Greek. The spirited portion (literally timophillic i.e. honor loving) will be my own ideas about Greek and Roman ideas. This section attempts to put me on the map as a classicist with a point of view. The reasoning part will be commentary and reviews on classical texts. I will also try to post a passage for Latin or Greek prose composition, as well as translations of prose passages or poetry in Latin or Greek. I will offer my take on the passage, and if anyone would like to offer their own attempt at the passage, or corrections or criticisms of mine, they will be welcome to do so in a comment on the blogpost or email me at sulpicia3@hotmail.com.

Bread, Roman Poetry, and Other Frivolity

If you're interested in me as well as my commentary about classical texts, visit my personal blog Fragments of Sulpicia (III), in which I discuss my general day-to-day existence, alongside bread recipes, pedagogy, and Roman Love Elegy.

The Roman love elegists, writing at the end of the Roman Republic wrote beautiful poems about their experiences in love, creating the persona or changing the name of a real person on whom to center their poetry. The only extant female poet calls herself Sulpicia, daughter of Servius and constructs her poems around her lover, Cerninthus. In order to write freely, I have taken up her name, Sulpicia, and the names of her characters and the characters of her contemporary love elegists, to refer to people in my own life. A reference list of characters can be found on the righthand side of Fragments of Sulpicia (III).